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<blockquote data-quote="RidgeHunter" data-source="post: 1943204" data-attributes="member: 4319">I&#039;m surprised there&#039;s not more love for The Hills Have Eyes in this thread. Stay on the main road. I absolutely love that movie - when he finds the dead German Shepherd and HE&#039;S IN THE BUSHES. I like it and the Texas Chainsaw Massacre so much because much of them were shot in the daylight and they were played radically different than any horror films before them. The generator noise in TCM is so great, as well as the sunset lighting in the final scene. Cinematography is dead. Borderline horror, but I love Deliverance I do multi-day wilderness floats a couple times a year. You get back in there and cain&#039;t get out, you gonna wish it wasn&#039;t.&nbsp; I&#039;ll throw Suspiria and Night of the Living Dead up there in the classics category, too.What kind of nutjob goes to a surrealist shock movie on acid.</blockquote>

[QUOTE="RidgeHunter, post: 1943204, member: 4319"] I'm surprised there's not more love for [I]The Hills Have Eyes[/I] in this thread. Stay on the main road. I absolutely love that movie - when he finds the dead German Shepherd and HE'S IN THE BUSHES. I like it and the Texas Chainsaw Massacre so much because much of them were shot in the daylight and they were played radically different than any horror films before them. The generator noise in TCM is so great, as well as the sunset lighting in the final scene. Cinematography is dead. Borderline horror, but I love [I]Deliverance[/I] I do multi-day wilderness floats a couple times a year. You get back in there and cain't get out, you gonna wish it wasn't. I'll throw [I]Suspiria[/I] and [I]Night of the Living Dead[/I] up there in the classics category, too. What kind of nutjob goes to a surrealist shock movie on acid. [/QUOTE]

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